by Fernando Pessoa
In me every thought, however much I’d like to preserve it intact, turns sooner or later into reverie. If I wish to set forth reasons or launch a train of argument, what comes out of me are sentences initially expressive of the thought itself, then phrases subsidiary to those initial sentences, and finally shadows and derivatives of those subsidiary phrases. I begin to meditate on the existence of God and soon find myself speaking of faraway parks, feudal processions, rivers that pass almost soundlessly beneath the windows of my contemplation . . . And I find myself speaking about them because I find myself seeing them, feeling them, and there’s a brief moment when my face is grazed by a real breeze rising from the surface of the dreamed river through metaphors, through the stylistic feudalism of my central self-abandon.
I like to think, because I know it won’t be long before I stop thinking. It’s as a point of departure that thinking delights me—a cold, metallic harbor station from which to set sail for the vast South. I sometimes try to focus my mind on a large metaphysical or even social problem, because I know that, ensconced in the hoarse voice of my reason, there are peacock tails ready to spread open for me as soon as I forget I’m thinking, and I know that humanity is a door in a wall that doesn’t exist, so I can open it onto whatever gardens I like.
Thank God for that ironic element in human destinies that makes dreams the mode of thought for the poor in life, even as it makes life the mode of thought—or thought the mode of life—for the poor in dreams.
But even dreaming channeled through thinking ends up making me weary. At which point I open my eyes from dreaming, go to the window, and transfer my dream to the streets and rooftops. And it’s in my distracted and profound contemplation of so very many roof tiles divided into rooftops, covering the astral contagion of people organized into streets, that my soul becomes truly detached from me, and I don’t think, I don’t dream, I don’t see, I don’t need to.